Anthology Opportunities: June 2015

Depositphotos_7200270_originalThere are quite a number of science-fiction and fantasy anthologies looking for submissions right now, so I thought I’d share some of the ones that interest me, in case you might find them useful as well. (Of course, these are all time-sensitive and subject to change.)

Clockwork Phoenix 5

Looking for “stories that sidestep expectations in beautiful and unsettling ways, that surprise with their settings and startle with the ways they cross genre boundaries, that aren’t afraid to experiment with storytelling techniques. But experimentation is not a requirement: the stories in the anthology must be more than gimmicks, and should appeal to genuine emotions, suspense, fear, sorrow, delight, wonder. I will value a story that makes me laugh in its quirky way more than a story that tries to dazzle me with a hollow exercise in wordplay.

“The stories should contain elements of the fantastic, be it science fiction, fantasy, horror or some combination thereof, [but] bring something new and genuine to the equation.”

6 cents/word,  stories under 5,000 words STRONGLY PREFERRED. Submit by July 26, 2015.

Defying Doomsday

Looking for stories of “apocalypse-survival fiction with a focus on disabled characters. (One of) the protagonist(s) must be a character with disability, such as physical impairments, chronic illnesses, mental illnesses and/or neurodiverse characters etc. We will consider stories with characters experiencing all kinds of disability and hope that submitting authors will be creative with the possibilities.”

7 cents/word, 3000-7000 words. Submit by June 30, 2015 to clear the July 1 Australian deadline.

Futuristica Volume 1

“We prize diversity, specifically stories that include multicultural backgrounds or lead characters of atypical ethnic origins. Basically, while we have nothing against heterosexual white American males, we feel they are already adequately represented in science fiction and we want stories about the rest of humanity.

“We are interested in character-oriented fiction.” They stress their desire for women-positive, sex-positive, and science-positive stories.

7 cents/word, 3000-10,000 words. Submit by August 31, 2015.

Hidden Youth: Speculative Fiction from the Margins of History

“Your story must be set before 1935 C.E. (NO exceptions), and take place primarily in our world or an alternate historical version of our world. (Travel to other worlds, other dimensions, Fairyland, the afterlife, etc. is fine but should not be the focus.) Your protagonists must be young people (under the age of 18) who were marginalized in their time and place.”

6 cents/word, 2000-8000 words. Submit by July 31, 2015.

SNAFU: Future Warfare

“We want ORIGINAL military-style combat with strong elements of future technology/sci-fi, and we want horror. Give us fear… suspense and tension… we want originality and speculation about future aspects of war. Most of all we want action, action, ACTION! We want something jaw-droppingly amazing.”

4 cents/word AUD (so 3 cents/word USD, per Google), 2000-10,000 words. Submit by August 13, 2015 (or August 12 to be safe again, because Australia).


Header image purchased from and copyright innovari/depositphotos.com.

The Only City Left: One Month Post-Release

Photo by Lies Van RompaeySince it’s been one month since I released The Only City Left, I thought I’d do a review of how things have gone.

Sales

Full disclosure. I didn’t set the world on fire with the release of The Only City Left. I sold 7 ebooks and 9 paperbacks in the first month. For all but a couple of these, I know to which friend or family member each copy went. So it goes.

Reviews

I’ve done two things to garner reviews. 1) I offered 100 ebook copies to LibraryThing members through their Member Giveaway, with a request that they provide honest reviews in exchange for the book. 77 people took me up on the offer by the end of the two-week giveaway period. It is not required that any of them actually provide a review, however. 2) I contacted book bloggers that review books in my genre and requested reviews from them in exchange for a copy of the book. (See end of post for two great lists of book reviewers.)

So far, 4 LibraryThing members have provided reviews. All 4 of them posted their reviews to LibraryThing, 3 copied their review to Amazon, 2 copied their review to Goodreads, and 1 copied the review to their personal blog. Since the LibraryThing members have only had the book available to them for two weeks, I am hopeful that more reviews will come of this.

Regarding book bloggers, I have contacted 48 reviewers so far. 8 bloggers have stated that they will read the book for a possible review, although timelines for the review may be months out due to their large reading queue. 2 more showed interest but have not confirmed their plans. 2 bloggers have declined to read the book, 1 offered an Author Spotlight feature in lieu of reading the book, and the rest have not responded. 1 in 6 bloggers showing interest is actually a positive ratio in my book, and I will continue to request reviews from new bloggers as I discover them.

Marketing

Other than a couple of mentions on my social media streams and the requests for reviews, I haven’t really had a marketing effort. This is a judgment call on my part. I don’t think I should put time and money into marketing one book. Once I have more books published, I will have to look more closely at book marketing efforts. I also haven’t inundated my social media stream with requests for people to buy my book. Again, with only one book out, I don’t feel it’s worth nagging my social media friends about my book over and over.

I did have some book business cards printed, for those times when I’m talking in person with someone and the subject comes up. This way, I can leave them with a physical reminder of the book. They were relatively low-cost, but time will tell if that expense was worth it. toclcards

Thoughts

I appreciate all the friends and family who bought my book, but of course I have to reach farther afield if I ever want to supplement my family’s income by writing books. Since I’m not going all out trying to drum up sales on Book 1 of The Only City Left, I need to focus on writing Book 2, which is what I am doing. I also hope that after a certain number of reviews, Book 1 might gain some traction in and of itself. There’s a long road ahead and I’m only at the beginning, but I’m happy to finally be here, looking forward to the future again.

Links

The Only City Left on Amazon (Note: The ebook is free with purchase of a paperback. Also, the ebook is DRM-free.)

The Only City Left on Goodreads

The Only City Left on LibraryThing

Indie Reviewers on The Indie View (Note: Check back frequently and sort by date to see when new reviewers are added. Contact them quickly as I get the sense that reviewers become inundated with requests in a short amount of time.)

List of Online Reviewers Who Accept Self-Published Books (This is a great list that was published on 8/6/14. Thanks to Erica Verrillo for putting it together. There are no dates attached to the entries and I’m not sure it will be updated, so its long-term usefulness might be limited.)

Image of baby tortoise by Lies Van Rompaey.